In reply to Peabody :
That was hot. That guitar tone lives somewhere in the triangle bounded by Leslie West, Robin Trower, and Randy Bachman.
In reply to Peabody :
That was hot. That guitar tone lives somewhere in the triangle bounded by Leslie West, Robin Trower, and Randy Bachman.
In reply to Duke :
And you know there's only one way to get that sound, is by playing ingnorantly loud.
This, along that that butch version of Dear Mr. Fantasy is on the same EP which I'd completely forgotten about. You should hear it in my shop. My neighbours do 
Never understood why they cut the studio version short just when it was heating up.
Here's the live version, and a master class in how to end a show:
Recording is not quite as good as the version on Waiting For Columbus, but it has visuals.
Gold 66 Biscayne, chrome reverse, 4 spd with a 327 and duals. That was us cruising by in 1978 with this blasting through the closed windows because we were hotboxing
Run Like Hell
Damn, Jakob sounds just like his dad. This is... Wow.
Nashville Skyline. It always gets me how different Dylans voice sounds than in the rest of his work. They say that he'd just quit smoking, but it's more than just that. Barely recognizable - in a good way. Kris Kristofferson credits that album for opening the country market to guys like himself, for which he's eternally grateful. It's really quite beautiful. I also get a kick out of the duet with Johnny Cash. Not traditional by any sense that I know.
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